| Foreign Poets |
Ryoko SEKIGUCHI 關口涼子(日本詩人)
Born in Tokyo, Ryoko Sekiguchi lives in Paris. She writes in Japanese and French, and has translated Pierre Alferi, Atiq Rahimi, Gôzô Yoshimasu, Yoko Tawada, and Jean Echenoz, among others. Her publications in French include Calque, Deux marchés, de nouveau, Héliotropes (all published by POL), Adagio ma non troppo, and Série Grenade (both Bleu du ciel). Three of her books have been translated into English, including Heliotropes (translated by Sarah O'Brien, published by La Presse), Two markets, again (translated by Sarah Riggs, Post-Apollo Press), and Tracing (translated by Stacy Doris, Duration Press).
Stephane Bouquet 司帝梵‧布給（法國詩人）
Stephane Bouquet is a poet with several books published between 2001 and 2007, at Champ Vallon publisher; and he translated American poets like Robert Creeley.And he is famous in France, too, as a script-writer for movies ("les corps ouverts", "Presque rien", etc...), for his word with dance companies (Mathilde Monnier), and for writing as a book's critic in the two most famous french Newspapers, "Le Monde" et "liberation"...
Laura Mullen 蘿拉•慕蘭（美國詩人）
Laura Mullen was born in Los Angeles in 1958. She received her BA in English from the University of California, Berkeley, and her MFA from the University of Iowa Writers’ Workshop. Currently she is professor at the Louisiana State University, where she teaches creative writing, literature, translation, film, and other courses. She is a leading poet of postmodern and post-Language poetry and engages in experimental writing that seeks to go beyond the canon and generic boundaries. She has published three books of poetry: The Surface (1991), After I was dead (1999), and Subject (2005), as well as two hybrid texts: The Tales of Horror (a postmodern Gothic novel, 1999) and Murmur (a postmodern prose-poetry crime novel, 2007). Her work pushes the limits of words and worlds, exploring their relations and entanglements. Although lyrical at a deep level, the language of her work is rugged, reflecting the violence of seeing into seeing.
